….five months later, a cultural recharge, and one work that kind of stood out

Exactly five months ago I visited the Rijksmuseum in Amsterdam to see the Bernini and Caravaggio exhibition that was to be the big crowd pleaser exhibition in the late winter and early spring months. I had little idea at the time within a month the museum (and all museums in the country) would be closing and that my next visit to one would be close to half a year later and would be a feature of my stay at home summer holiday of 2020.

So here we are then, all that time later, and I have had my first cultural recharging of batteries from a visit to the MORE museum for modern realist art in the small town of Gorssel in the Eastern part of the Netherlands. Although the museum has been open now for a number of years and is only about 60km from where I live, it was still my first visit.

Strict protocols were in place, a pre-booked entrance time, a time limit of 90 minutes in the museum, a fixed route through the collection and no doubling back on the route.  All rather  unfamiliar and not my normal all over the place style of making my way through an exhibition.  Still, times change, and yes I was glad to be there, I’ve missed the chance to look and ponder.

MORE offers a collection of Dutch realists, many from the first half of the twentieth century alongside some more contemporary work. It’s an interesting collection, much of which is painted with an intensity and level of rechnical achievement that draws you in to take a closer look. The same could certainly be said of the work of Jan Mankes. I have rarely seen such small and intense paintings, some I liked, some I didn’t and some were just simply strange!

There was also an extensive display of the work by Jan Beutener. Figurative paintings, but ones with a strong awareness of the abstract qualities in the way his compositions are constructed. All very likable work, especially for someone like me whose own work walks a line between abstraction and figuration.

One work by Beutener should get an extra mention though. A painting from 2008, entitled With distance and featuring a face mask. It must have been included in the show as a knowing reference to the last months

Jan Beutener, With distance, 2008

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