Digital presentation of pupils work, PR possibilities and a future assignment

Most schools in the Netherlands have open days during the mid-winter. Many schools have something of a pitched battle against nearby rival schools in the effort to attract a good number of new pupils for the forthcoming school year. The school where I teach is no different, we must be seen to compete!

Such open days are all well and good, if a little exhausting and long at the end of the teaching week. But with the current lockdowns and need for extreme social distancing the normal packed school with hundreds of children and their parents simply is not an option. As a result, things are moving online.  Most schools are frantically putting together a new online presence/digital open day. Films are being shot, interviews recorded, and websites constructed.

As far as the art department is concerned, in my school we were looking for a way to present a collection of pupils’ work.  Collections of photographs or films of pieces of work were of course possible but we wanted something a bit more immersive and interactive, and amongst all the other films that were being made, we simply wanted something that stood out as being a bit different.

The need of the situation, as with many other things in education in the last year, has forced me and a colleague to explore the possibilities more than we perhaps have done up until now.  The online exhibition possibilities offered my artsteps.com where something that I have known about for a while but have never fully explored up until now because I simply have not fully felt the need to.  But now was the time, was this going to be what we needed?

Well, the short answer to that is a resounding yes, absolutely. A week later I have built three online, three dimensional exhibitions of pupils’ work that are going to serve our purposes fantastically well. The links below will take you there and allow you to pass through and view the work. 

Exhibition one —————- Exhibition two —————- Exhibition three

Of course, it is not as good as walking around an art room in a school taking a closer look for yourself but given the circumstances it really isn’t a bad substitute for our 10- and 11-year-old visitors and their parents.

Having put it all together, what would I say are the pros and cons on offer here?

Positive points:

  • The learning curve for using the software really is not too step. Invest a little time and you should find your way.
  • Creating a stylish and well-ordered look to the exhibition is both possible and straight forward.
  • It is free and everything is online (apart from the photos and films you want to upload) with no software having to be downloaded or installed.
  • Videos can also be part of your exhibition.
  • You can design your own rooms.
  • But above all is just fun to create and fun to visit!

Negatives

  • Three-dimensional work is difficult to include.  3D printer designs can be unloaded and included, but documentation of a tradition sculpture can only be done using a film of the object or photographs of it.
  • I do not seem to be able to get the films to work on mobile devices. Although walking around the spaces to look at the pictures on my iPad works perfectly.
  • Visiting the exhibitions on a mobile phone is, it seems, possible on some phones and not on others.

The ease with which the software works leaves me thinking of the future possibilities.  I see opportunities for asking a group to curate their own exhibitions on selected themes.  They could visit the websites museums of the museums of the world gathering the artworks that they need.  I have done this before and set poster design assignments as a part of the project, but now I see the additional installation of a 3-dimensional digital exhibition as a fantastic extension of the project.

It is strange how necessity can be the mother of invention, forcing you to explore new possibilities. This has certainly been the case in the past few weeks.

Story telling, illustration and digital books, language and creativity in the art room

For several years I have been working on refining an art project that involves a number of distinct phases.

  • Research an artwork from art history
  • Presenting the research about the artwork and artist involved in the form of an infographic
  • Writing a story aimed at primary school aged children where the researched artwork plays a central role
  • Illustrating the story using a variety of drawing and/or painting techniques, traditional or digital
  • Designing the layout of the pages of the book where images and text have to be combined
  • ….and finally, the presenting a completed book

I will write about the use of infographics as an alternative to report writing on another occasion, but here I want to focus most of all on the story telling, the illustration and the designing of an online book.  Due to the uncertainties of the way the school year was going to develop I decided early in this lengthy project that I was going to encourage the pupils to aim for a more digital based working process.  In the end virtually the whole class chose to go virtually completely digital.

The story, once the research was completed, was hammered out on the iPads the pupils work with.  Incidentally, I should mention that we are talking here of pupils aged 14 or 15 mostly, and as part of a bilingual education stream, the pupils are working in English, their second language rather than their native Dutch.

Digital illustrations were produced using a variety of drawing apps, before these were then uploaded into the Canva app (also a pc application) to work on the page layout and overall design.  Even working on the relatively small iPad screen the pupils were able to produce some interesting and varied work. 

When all the pages are complete a .pdf can be exported of the complete book.

The pièce de résistance comes in the form of the Yumpu.com website that allowed the pupils to upload the raw pages to the site to generate an online digital version with three dimensional pages that can be turned. 

Click below to take a look at some of the possibilities the project offers from this year’s results:

Book One

Book Two

Book Three

Once we reach this point it is over to their teacher to grade the work on four criteria:

  1. The interest, complexity, and engagement of their story writing
  2. The use of English and grammar
  3. The quality of the illustrations
  4. The quality of the layout of the book

It is a lengthy project.  But in a world where we are all (and in the art department) are having to lean heavily on digital means, it is a project that offers interesting online possibilities for classes that have a little digital know how.

New Year’s resolution……to draw more, again

Last year I started the year with a plan to draw more. I have drawn a lot in the last twelve months, but still have the feeling that I should do it more, if only to avoid later dead ends in paintings that haven’t been sufficiently planned out.

So this year we start again and above is the first drawing of 2021.

Last year’s resolution can be found here:

https://petersansom.wordpress.com/2020/01/01/new-year-the-same-old-resolution/

2020 – Looking back on some creative online group projects

I coach a group of enthusiastic part-time painters.  We have been meeting up one evening a week for years, except of course in 2020.  In mid-March this year our painting sessions, like so many other things came to an abrupt halt.  We were temporarily able to restart for a period of four weeks in the autumn, before once again having to stop again.

I’ve done what has been possible to keep the group active (at least for those who wish to carry on at home), and the group themselves have retained contact via our app group, sharing what they are up to in the area of creativity and artistic interests.  It has, all-in all, worked well.  The group does still feel like a group and the stream of creative output certainly hasn’t dried up. 

In terms of “going online”, like my other area of work in mainstream education, it hasn’t been quite the same.  The commitment to an online lesson at a specific time didn’t feel like the way to go.  Instead, what seems to have worked best has been a series of group paintings/projects.  Anyone who wanted to, could easily contribute, and I worked on grouping things together.  Some have been very loose, and in a way, not much more than a collection of paintings and drawings around a theme, while others have been quite structured in their approach.

Looking back complete 2020 set, it is surprising just how productive the group has been, and how well this loose online approach has worked.  We are all of course hoping for better things in 2021, but as a record of 2020 it certainly shouldn’t be a year best forgotten by the group as the results below show.