Swept along by a film assignment – feel free to use the idea!

Teenagers love a movie. A good film during lesson time is, in the eyes of many of many pupils, about as good as it gets. Because of this I normally start the broad art and culture awareness course that I teach to my fourth years (15-16 year olds) with a module on film making.

The series of lessons is built up essentially of three separate parts.

1. A few theory lessons that look at the history of film and explore the craft of the filmmaker, along with a little shared group analysis of filmmaking techniques.
2. We subsequently watch a movie in class, discuss it as a group before the pupils write their own analysis and evaluation report of what we have seen. I use various films for various classes, favorites from the last few years have been Senna and Amy from Asif Kapadia, great for teenagers with an aversion for documentary films. Alongside these two, Catfish and The Babadook have also been greatly enjoyed.

For a little more reflection on watching films in class, take a look at the links below:

Three film, three reactions

Finding the right film

3. The final part of the module is a practical assignment. The aim of this practical is essentially to get the pupils out of the classroom, and to experience in a more conscious and hands on way, the possibilities of camera use, and alongside this, the importance of the edit.

This third part, the film practical assignment, is without doubt one of my favourite activities of the year. To start with it is a little complex to explain to the class, but once they have got the idea they just love doing it.

The assignment

In bullet points, this is the working process:

• I choose an existing short film (one that is about five minutes long)
• I divide my pupils up into groups of about five (often this is done across three or four classes together)
• I divide the film up into sections (the same number of sections as I have groups)
• I allocate each group a section (normally 20-30 seconds long)
• The groups produce a detailed story board of their fragment. This involves making screenshots, notes about what the camera is doing, notes about the performances being given and very importantly exactly how long the individual shot lasts
• The pupils then head off to reproduce each individual shot as precisely as they possibly can
• The pupils then edit their own work to result in a fragment of the exact same length as the original section that they had been allocated
• The groups hand in their piece of work.
• I then join all the fragments together in the correct order
• I rip the soundtrack of the original film and drop this onto the pupils’ version, add some titles at the beginning and the end and the job is then essentially finished.

This year’s pupil film:

Based on the following original:

 

A few footnotes

For someone with a little knowledge of even the most simply video editing software this is not an overly complex project. However there are a few things to watch out for. Most importantly is the choice of original film. Script that is spoken ‘on camera’ makes the process a lot more complex. The marrying up of the sound of the spoken text from the original and the pupils mouths is difficult and often requires numerous small adjustments. To limit this, choose a film with a narrator, or simply one with the absolute minimum of speech.

This is an incredibly fun assignment to do. It is a carefully framed up activity, and leaves the pupils with a very clear task to carry out. The results can be fantastic and leave the pupils desperate to see the final version, that in my case, is often made by a group of close to one hundred pupils.

We show the finished product at a social event where both parents and pupils are present. It is a great hit every year!

Below are links to the same assignment from previous years:

 

Lovesick II

Black Coffee II